Alan Alldredge investigates processual abstraction with flowing pathways of texture, reflection and illusion. Taking cues from the natural world, he aims to reinforce the belief that beauty is part of the sacred through his work. Alldredge’s “cast monoprints” force him to surrender to the process. Through the work’s meditative visuals and complex origins, he seeks to create a transcendent sacred object for the viewer.

Robert Mars’ artwork chronicles an evolving fascination with the Golden Age of American popular culture and celebrates the icons of the 1950’s and 1960’s. His paintings evoke a vintage quality of design and pay homage to the idealized age of growth and hopefulness that was prevalent in the USA at the end of the Depression. At a time before the internet and mobile technology, where information was not instantly available to millions and there was no such thing as instant internet celebrities, Mars pays tribute to the people who lived as myths with unique, untouchable and unforgettable personalities.

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Linda Cosgrove arrived in San Francisco in 1976 after her university studies. She is surrounded by her important collection of rare European and Latin American artifacts – artifacts that often appear in her paintings. Her surrealist works in oil are acclaimed for reviving the medieval practice of oil-on-copper, and create a synthesis of Renaissance-inspired pieces with a strong hint of dark humor. The further one ventures into her work, the more visible is the differentiation.

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