O’Farrell has focused her painting almost entirely on the depiction of women, reflecting no doubt a concern about her own identity. These canvases are done by an artist who has absorbed the lessons of Action Painting and are done with a vigorous brush, probably also with a palette knife and a trowel with lush paint slathered on to the support. Some may seem unrestrained at first look, but they follow their own order—as a 17th Century Chinese landscape painter once said: “The brush is for saving the world from chaos.” Her women, lost in thought, seated, lying, waiting, praying, dancing are all self-absorbed. Above all, they are her reasons for painting.
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